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Claude François: “Je sais” (Multitrack)

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Je sais, Claude François - stems. Make this song sound as you wish using its stems for mixing in your software!

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This ready-made multitrack recording may be helpful for:

  • Sound designers working with backing tracks
  • Solo vocalists and back-vocalists
  • Drummers (acoustic)
  • Electric guitar player
  • Bass guitarists
  • Pianists/keyboard players: Organ, Harpsichord
  • Instrumental players owing Violin
  • Lovers of french pop music, performers of songs from Claude Fracois' repertoire, such as ’Je sais’
Isolated tracks

Aritst Info

Claude François
Claude François
54 multitracks available

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Multitrack Format Opportunities

Your Wide Opportunities
  1. Mix Balance

    Fine-tune volume, pan, and spatial placement for a clear mix.
    Example: Pan guitars left and right to create space for centered vocals.

  2. Non-Destructive Editing

    Rearrange and cut audio without altering original recordings.
    Example: Shorten a chorus by moving regions instead of deleting audio.

  3. Per-Track Control

    Adjust levels, EQ, and effects independently for each channel.
    Example: Solo the kick drum and cut muddy frequencies without affecting guitars.

  4. Flexible Routing

    Send tracks to physical outputs, virtual busses, or custom headphone mixes.
    Example: Only the drummer hears the click, while the vocalist gets extra reverb in headphones.

  5. Automation

    Perform fader moves, pan changes, or effect tweaks in real time, or draw automation curves for precise, repeatable control.
    Example: Ride the vocal fader during verses, or draw a filter sweep for the drop.

  6. Per-Channel Processing

    Apply EQ, compression, reverb, or distortion independently per track.
    Example: Compress the bass to keep it tight without squashing the drums.

  7. Remixing

    Rebuild or rearrange songs easily with access to all individual elements.
    Example: Mute the original vocal and replace it with a new rap verse.

  8. Time & Pitch Adjustments

    Stretch, shift, or align tracks independently per channel.
    Example: Fix a slightly late snare hit without affecting the rest of the kit.

  9. Layering Possibilities

    Re-play parts, add VST/RTAS instruments, or stack new sounds on top of existing tracks.
    Example: Record a new synth bass doubling the original bassline, or layer string pads under a live band performance.

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